Marvel and DC Comics are once again facing off in an epic box-office how Much Money An Illustrator Can Make this month, with the release of Thor: Ragnarok and Justice League — two superhero films that, of course, have their roots in the comic book industry. 800 million-a-year annually and employs tens of thousands to do so. So how do you get started in this type of career? And more importantly, what does it pay? Like any career in the arts, you can get started in the industry by going to school to and majoring in something that translates well into this world, like animation, sequential art, or illustration.
Marvel artist Irene Strychalski recently told attendees of New York Comic Con she majored in sequential art and minored in animation at Savannah College of Art and Design. But for every successful comic book writer or illustrator who acquired a formal education, there are many more who broke into the industry by themselves. It’s an industry that lends itself to freelancers and those with raw talent. Javier Garron, the Marvel artist behind Secret Warriors, worked as an architect before switching to comics. Garron says of his 10-year odyssey to break through in the industry.
Here’s what you can truly expect to make in a comic book career. Rhode Island Convention Center on Friday, Sept. For many comic hopefuls, the ultimate achievement is to create an entire comic book franchise. And it it becomes very lucrative if you retain the ownership rights to that work. In many cases, you’ll make far more than the executive salaries at the biggest comic book publishers. More recently, The Walking Dead creator Robert Kirkman published his zombie-apocalypse adventure through Image Comics, which allows creators to retain the right to their work. Kirkman eventually became a partner at Image Comics and founded Skybound Entertainment, which produces the ongoing Walking Dead comics, as well as other movie and television projects including Invincible and Outcast. Editor Comic books, particularly established franchises, are quite the production. So you need someone to corral all the artists and writers on the book.
That’s where the editor comes in. This is the person who quarterbacks the process, everything from reminding writers when the script is overdue, checking the art against the script to make sure the storytelling syncs, and proofreading the pages as they are completed. But it’s rare for a comic book artist to land a salaried position and it’s far more common for these gigs to be project-based. That means you need to be efficient.
Compensation can range dramatically depending on both experience and the publisher. 50 an hour for someone who spends about eight hours working on each page. 600 per page at some publishers. At many of the bigger comic book companies, the art on the page is paid by the type of job—and sometimes multiple artists will be hired to do each piece. Penciller This person is the one who takes the story and gives it life, sketching out the scenes in pencil and crafting the basic outline of the landscape and the characters within it. 260 per page at the big comic publishers like Marvel and DC.
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This illustrator is given the task of adding depth and shading to the basic outlines created by a penciller. This is the person who uses a variety of fonts and sometimes even hand-drawn calligraphy to create everything in the word balloons and illustrating the sound effects. Ed Brisson, writer for Iron Fist and an Old Man Logan, told New York Comic Con attendees last month. However, many times, these jobs are also paid on a project basis. Many of the publishers break up the creation of a title in an established series, hiring writers to lay out the plot and another the script.
Isaac “Ike” Perlmutter, an Israeli-American billionaire, and the CEO of Marvel, walks down the steps of Air Force One at Andrews Air Force Base in Md. The chief executive at a comic book company can exist in many forms, especially since DC and Marvel now operate under the management of Warner Bros. Yet arguably the highest paid comic book executive is Marvel Entertainment’s CEO, Isaac Perlmutter. 9 billion, according to Forbes annual ranking. One way CEOs diversify their portfolios is by expanding their comic brand into toy lines. Morty, Spawn and The Walking Dead.
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Powered and implemented by Interactive Data Managed Solutions. When it comes to retirement security, one concern dominates all others: the fear of running through one’s nest egg too soon. That’s probably because many of us haven’t a clue how to manage this risk. Australia surveyed nearly 3,000 working-age adults about the various issues they must grapple with in planning for retirement, they found that longevity risk was the least understood. Only a third of those surveyed knew how long their assets might last, and only half had actually planned for the possibility of a longer-than-expected life. That may be sobering, but it’s also understandable.
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After all, to the extent we focus on retirement planning at all, most of our time and effort is spent on trying to build a nest egg. We spend the bulk of our careers preoccupied with questions such as: What are the best ways to free up money to save? How much do I need to save each year? During the accumulation phase, we also agonize endlessly about how to invest our savings. How much of our nest egg should we devote to stocks vs.
Are we better off with actively managed funds, index funds, or a combination of the two? But as we near and enter retirement, a whole new set of questions arises, questions many of us haven’t given much thought to during our working years. Questions like: What expenses will I face as I make the transition from the work-a-day world to retirement? How much income will I need each year to maintain an acceptable lifestyle after I retire?
And the granddaddy of them all: How can I ensure that I won’t run out of money before I run out of time? There are no quick or simple answers to these questions, but there are things you can do in the decade or so leading up to retirement than can help you better understand and deal with them. Figure out how much income you’ll need each year. Retirement is new and unfamiliar territory, so you won’t be able to predict your spending needs exactly. As you do this, take particular care to home in on the cost of healthcare, as this is not only one of the biggest expenses retirees face, but also a cost many retirees tend to underestimate.
Understand how long you may live. You’ve probably already heard that the life expectancy for a 65-year-old is roughly another 20 years. That’s true, but life expectancy is an average, which means many 65-year-olds will live to 90, 95 and beyond. If you spend down your nest egg as if you’ll live only another 20 years but it turns out you’re still around for another 25 or 30, those extra years may may be somewhat grim. As with expenses, you can’t determine exactly how long you’ll live. Spend your money in a way that increases the odds that it will last. For the most part, that means settling on a withdrawal rate that can give you sufficient income while also maintaining your purchasing power over a long retirement.